Box Office Manager at the Citizens Theatre, Denise’s responsibilities include Box Office, I.T. and Access as well as being responsible for acquiring external ticketing contracts. She has worked in ticketing for over 30 years dealing with a wide variety of venues, festivals and events, including, The King’s Theatre, (SECC) Scottish Exhibition and Conference Centre, and Glasgow Royal Concert Hall. She was involved in the implementation of the first multi-user computerised ticketing system in Europe at The Ticket Centre in Glasgow, which was set up by Glasgow City Council to sell tickets for most pop concerts, cultural and sporting events throughout Scotland.
Period Costume Designer for TV and Film, Graham has been involved with the Britannia Panopticon Music Hall for over 20 years since Judith Bowers set up The Friends of The Britannia Panopticon in 1997. His work gives him connections to many performers and Arts Practitioners some of whom have visited and enjoyed the unique atmosphere of the Britannia Panopticon Music Hall. As a volunteer he has been closely involved in the building over the years organising Summer re-creations of Music Hall. He has also been involved with the yearly Doors Open Days events putting on displays of period Costume from his own collection.
Hospitality and Facilities Manager at Community Central Halls in Maryhill, Glasgow Chris is a dedicated arts administrator and project manager with over 10 years management experience in the Scottish Arts sector which includes working as Box Office Manager at The Arches for six years.
Strategic business and planning consultant in theatre, screen, and heritage sectors. As a Director and CEO, Mhora has led UK-wide and London cultural organisations including the Theatres Trust (2006-16), CIDA – the Cultural Industries Development Agency in east London (2001-2006), and Total Theatre (1992-1998). In 2017-18 she managed the development of London’s Creative Enterprise Zones at the Greater London Authority. Fellow of the Chartered Management Institute and the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce) and a member of FST (Federation of Scottish Theatre), ABTT (Association of British Theatre Technicians), and the Institute of Fundraising.
Head of Communications at the National Theatre of Scotland, having worked for the organisation for 14 years. She has worked in theatre in the UK over the last 29 years as a publicist, promoter and producer in theatre and for participatory arts projects. She has previously worked as a freelance PR consultant, as a press officer for the other National Theatre, as the co-director of the Red Room, an award-winning new writing theatre company in London and as one of the directors of Room for Revue, a women’s community theatre co-operative in Manchester.
Retired Glasgow Solicitor with lifelong interest in the Arts. A founding member of Glasgow Theatre Club in 1979 seeing its development and transition to the Tron Theatre as a Board Member. Serving on the Board of The CCA in the 1990s and playing a part in the expansion of the building and its refurbishment. As one of a triumvirate who along with professionals, undertook the refurbishment and funding, public, charitable and private of A-listed Garnethill Synagogue, a £650,000 project. This very special building also houses the Scottish Jewish Archives of which he is a volunteer guide. Trevor is delighted to play a part in delivering the Panopticon’s vision.
Lecturer in heritage and conservation at The Scott Sutherland School of Architecture and the Built Environment, Robert Gordon University, Aberdeen. Previous posts were held at Northumbria University and the University of York. Formerly a trustee of the Tyne and Wear Building Preservation Trust, represented the Twentieth Century Society on the Newcastle Conservation Advisory Panel, he is a board member of the Aberdeen City Heritage Trust. His research fields include social housing, conserving the modern movement, reuse and adaptation and colonial architecture of India.